Stewart Vickers

Stewart Vickers / Appearances

Appearances

He has dressed for a different century since university, and the consequence is a decade of other people's frames: wet-plate portraits that hang in Fitzrovia, a gallery wall of flaneurs, a Channel 5 reconstruction, three music videos, an advertising campaign, and a walk through London that goes nowhere on purpose.

He is open to interesting work. Photographers, directors, editors and curators are in the habit of asking, and the answer is usually yes.

01Portraits

Wet-collodion tintype of Stewart Vickers standing against a riveted iron hull in a pale three-piece suit and a wide-brimmed hat
Tintype, Garry Hunter. Trinity Buoy Wharf.
Wet-collodion tintype of Stewart Vickers seated with his hat on his knee, the plate's collodion pour marks visible across the top
The pour marks and flared corners are the plate, not a filter.

Wet-collodion tintype

Tintype portrait

Garry Hunter, Fitzrovia Noir

A portrait made the way portraits were made in the 1850s: collodion poured onto a blackened tin plate, exposed wet, developed in a tray while the sitter waits. One plate, no negative, nothing to retouch. Garry Hunter is the artistic director of Fitzrovia Noir, the London arts collective formed in 2008 to record the closing of the Middlesex Hospital. The plate has hung in Fitzrovia Noir shows since.

  • 15–31 Oct 2026
    A salon-style exhibition for PhotomonthThe King's Canary, T.J. Boulting building, 59 Riding House Street, London W1W 7EG. Preview 15 October, 6 to 9pm. Then Tuesdays to Saturdays, 11am to 6pm.
  • Jun 2025
    DocumentPontoon under the SS Robin, Trinity Buoy Wharf, Orchard Place, London E14 0JW. Curated by Graham Carrick for Fitzrovia Noir CIC, with an accompanying publication in an edition of 100.
Studio portrait of Stewart Vickers in a red frogged hussar jacket, bullion sash and riding boots, against a plain backdrop
London Flaneurs, Ian Macaulay.

Photographic portrait

London Flaneurs

Ian Macaulay. Coningsby Gallery, 30 Tottenham Street, London W1T 4RJ

Macaulay photographed the flaneurs of the 2024 Grand Flaneur Walk, the annual aimless stroll that assembles at midday by the statue of Beau Brummell in Jermyn Street and proceeds, with great deliberation, nowhere. He shot them against a plain backdrop, in whatever they had turned up in. The portraits hung at the Coningsby Gallery in Fitzrovia that September, in association with The Chap, and a book of the series followed.

  • Sep 2024
    London FlaneursConingsby Gallery, London W1. In association with The Chap. A 34-page book of the series followed on 11 October 2024.

02In print

They Are Dandy

Photographs by Rose Callahan, text by Nathaniel Adams. gestalten, published on 20 October 2026. Not yet out.

The third book in Callahan and Adams's survey of dandyism, after I Am Dandy and We Are Dandy. The Chap's review names him among the London Grand Flaneurs, alongside Ben Golik and the Discount Count.

  • January 2016
    100 Faces of Henley, Volume 2Photographs by Charlotte Snowden. A charity portrait book of Henley-on-Thames, one hundred residents to a volume.
Stewart Vickers in a red hussar jacket and riding boots, reclining in the open front boot of a red sports car on an ordinary London street
From the They Are Dandy sittings. The registration is blurred; everything else is as it was.
Stewart Vickers in a brown three-piece suit and blue paisley tie, seated in a pink velvet armchair in a blue room hung with pictures
From the They Are Dandy sittings.

03On screen

Reconstructions, and the back of a crowd.

Two different things, kept apart here because they are not the same claim. For Channel 5 he played named figures in stylised reconstructions. Everything else is background work, which has its own pleasures.

Channel 5  Â·  2024

Broadmoor: For the Criminally Insane

Reconstructions, as John Silver. Series 1, episode 2, from 14:09.

Channel 5's four-part series on Britain's best-known high-secure hospital tells its history through stylised reconstructions, and he is in the b-roll of them. At 14:09 in the second episode he is John Silver: a real patient, nicknamed Long John because he stood six foot nine, held in Norfolk House, the maximum-security block so feared that Ronnie Kray never wanted to see it twice. A former member of staff remembers it taking fifteen of them to walk him back from the exercise yard, and that he had the beard because nobody could get close enough to shave him. The same man says, on camera, that Silver looked like Rasputin. So does Stewart, asked what the job was. Elsewhere in the series he is Peter Sutcliffe.

Frame from Broadmoor: For the Criminally Insane, a long-bearded figure shot from below in the John Silver reconstruction
As John Silver. Broadmoor: For the Criminally Insane, Channel 5.

Watch
Channel 5's clip of the Sutcliffe sequence later in the same episode, not the John Silver stretch. UK only, as is the full episode on their player.

adam&eveDDB for McCain  Â·  2019

Brew City, It's Beermunch

Featured extra.

McCain's £2.29m launch campaign for a frozen bar-snack range, built as vignettes of people failing to describe why beer and snacks go together. He was cast for the Ambassador's Ball, moved steadily towards the back of it, and was then recast into the roadman barbecue in a grey tracksuit. Both scenes are below. The distance between them is the job.

Frame from the Brew City Beermunch advert: a formally dressed crowd in a gilded ballroom
The Ambassador's Ball. Cast for this one.
Frame from the Brew City Beermunch advert: a group around a picnic table in a yard at night
The barbecue. Ended up in this one.

Watch
The full advert, on Brew City's own channel.

Background work

  • 2020
    I Hate SuzieSky Atlantic. The Comic-Con sequence in the second episode was shot among the real crowd at MCM London in October 2019. He is in it, uncredited, as several hundred other people also are. Sky's player blanks any screen grab, so there is no frame to show.

Music videos

Red-lit frame from Green Lung, Maxine (Witch Queen): two figures at a ritual table with a candle and a skull
Maxine (Witch Queen), Green Lung.

Green Lung, Maxine (Witch Queen)

2023. Nuclear Blast Records.

The song is for Maxine Sanders, High Priestess of Alexandrian witchcraft. Members of her real coven appeared in the video and advised on the ritual. From This Heathen Land.

Watch

Frame from Skindred, Machine: a dim bar crowd beside a lit jukebox
Machine, Skindred.

Skindred, Machine

2018. Napalm Records.

Shot at Big Red in north London with the stunt team behind the Bond and Bourne films, with Gary Stringer of Reef and Phil Campbell of Motörhead among the bar crowd. From Big Tings.

Watch

Black and white frame from The Darkness, Last of Our Kind: fans lined up against a white background
Last of Our Kind, The Darkness.

The Darkness, Last of Our Kind

2015. The Darkness.

The band asked fans to send in their own performances of the song, built a 500-strong Darkness Army into the recording, and invited fifteen of them to the shoot. He was one of the fifteen. Directed by Simon Emmett.

Watch

Stewart Vickers on stage in black tie beside Justin and Dan Hawkins of The Darkness
On stage with The Darkness. O2 Academy Oxford, 2013.

He had already met the band the hard way: pulled out of the crowd and onto the stage at the O2 Academy Oxford in 2013, for the offence of having turned up in black tie.

04In the press

Clarkson gave it a column.

The pages themselves are not reproduced here. A printed spread is somebody else's layout and the photograph belongs to whoever took it, so the citation does the work instead.

  • 21 July 2019
    The Sunday TimesLeave the pointless promenading to the French. A walk is not a walk without a pub at the end
    Jeremy Clarkson, News Review, page 31.
    A week later Clarkson gave his column to the walk, opening on the group who met in Jermyn Street for what they called a stroll without direction, and arguing at length that a walk needs a pub at the end of it. He was not persuaded. The walk went ahead anyway, and has every year since.
  • July 2019
    The TimesFine and dandy: The Grand Flâneur walk began at Beau Brummell's statue in London in celebration of the purposeless stroll
    Photograph by Stephen Chung / Alamy. News, page 17.
    The Chap's Grand Flâneur Walk assembled at midday on Sunday 14 July 2019 at the Beau Brummell statue in Jermyn Street, marking the magazine's hundredth issue and twentieth year, with more than a hundred walkers and simultaneous strolls in Düsseldorf and Los Angeles. The Times ran the picture. He is one of the walkers, not the subject of the photograph.
  • 2019
    Leipziger VolkszeitungFriedlich, freundlich, fotogen – das WGT läuft
    Kerstin Decker, photographs by Dirk Knofe.
    The Viktorianisches Picknick in the Clara-Zetkin-Park, the Friday highlight of the Wave-Gotik-Treffen in Leipzig, which draws some twenty thousand people to the city over Whitsun. This was the 2019 meeting. He is in the group on the grass.
  • May 2018
    The ChapFashion editorial
    Suit by Dolce & Gabbana, shirt by Darcy Clothing, shoes by J. FitzPatrick, rings by The Great Frog and Seventh Circle Artworks.
    A full-page shoot for the magazine that runs the Grand Flâneur Walk: pinstripe three-piece and stock tie, watch chain, cane, a glass of red, shot against the mirrored back bar and the chequerboard floor. The only thing on this page he was actually booked to be the subject of, rather than wandering into.
  • 17 April 2017
    MailOnlineMore wine than water! Easter Sunday chaos as pub-crawlers dress as Christ and revellers urinate in the street and slump in doorways on the final day of the Bank Holiday weekend
    James Dunn.
    The pub crawl in the photographs is the Christathon, an annual fundraiser for Save the Children that works its way through biblically named pubs from The Trinity in Borough to the Silver Cross in Whitehall, in tunics and felt-tip beards. The paper ran it inside a story about bank-holiday drunkenness, interleaved with pictures taken a couple of hundred miles away in Manchester of overflowing bins and a man urinating against one. The charity goes unmentioned. He is on the crawl, not in Manchester.

Say hello.

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stewart@seojesus.com

Photographers, directors, editors and curators: Stewart reads his own email and is glad to hear about interesting work.

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